A little over a week ago, David Grissom played and demonstrated his signature guitar at a Paul Reed Smith clinic here in Nashville. If you don’t know, Grissom is a guitarist who has played with Joe Ely, John Mellencamp, the Dixie Chicks, and Storyville, among others. He’s also a well-respected studio musician both here in Nashville and in Austin. In addition to his sideman work, he’s also released two solo albums and a blues/rock guitar instruction book.

Prior to seeing the clinic, I had never played the DGT guitar. However, Grissom’s PRS guitar is widely considered to be one of the best signature guitars PRS makes, and it was nice to be able to hear both Grissom and Paul Reed Smith discuss the thought process that went into making the guitar. For example, while the guitar is based on Grissom’s McCarty model that he’s played for many years, there were a few features that he was adamant about including on his guitar. One such feature is the inclusion of two volume controls, one for each pickup. This allows him to blend the two pickups together in various ways when both pickups are selected. The guitar also features coil-taps, which split the humbuckers into single-coil pickups adding even more tones that this guitar can achieve. Grissom likes to use heavy-gauge strings, so he wanted big frets on the guitar; this makes the heavy strings a little easier to bend. The DGT guitar also features a tremolo bar, which he explained helps the strings reverberate more than a stop-tail does.

Of course, in addition to discussing the guitar, Grissom played the guitar. And, what a great player and what a great sounding guitar! He played the guitar through a PRS Sweet 16 amp, which also sounded fantastic. I’ve always been impressed with the quality of craftsmanship that goes into a PRS guitar, and the DGT exemplifies this. It’s clear that a lot of thought went into the design of the guitar and the pickups, and the payoff is an excellent looking and sounding guitar. After seeing the clinic, I spent some time playing a DGT model and I’m very impressed. I think a DGT model is going to be in my future!

Paul Reed Smith also spoke at the clinic, talking about not just the DGT guitar but PRS in general. He’s a pretty funny guy with some very interesting stories. Specifically, it was interesting to hear his take on the music instrument business and the tough year that it seems that all the manufacturers have faced. Unfortunately, he’s had to do some layoffs this year and reduce the workforce to a four-day workweek. He’s also had to cut out extras like bonuses. He mentioned how difficult it is for a non-traditional guitar manufacturer in an environment where everyone seems to want vintage-style instruments. He said that dealers are always looking for the Next Big Thing, even when the current inventory is almost brand new. For example, in Europe shorty after the release of the DGT guitar, the guitar received numerous accolades in the guitar press. However, even while these accolades were just coming out, the dealers were calling asking about new stuff. As a result, PRS has had to constantly evolve their guitar line, leading to them to discontinue a large amount of guitars over the past year or so.

If you get a chance to see a PRS clinic, I recommend going. It’s a fun night of guitar geekery!

Introduction
Last year, I wanted something a little different than the Strat I was playing. I wanted a guitar with a little bit thicker sound and a little more versatility. I love my Strat, but after Gibson lost their lawsuit against PRS (which had prevented PRS from producing the Singlecut models), I anxiously awaited the re-release of the SE Singlecut series.

Ever since I first saw Paul Reed Smith guitars over 15 years ago, I’ve wanted to own one. I thought (and still think) the paint jobs and attention to detail were amazing. However, back then I was just starting out and had no need for such a high-end guitar. In fact, I still don’t really have a need for such a high-end guitar. Enter the SE series of PRS guitars. The PRS Singlecut SE guitars have a street price of around $600.

According to Paul Reed Smith, it was actually Carlos Santana’s idea to create the SE series. He thought that more players should be able to see and obtain the quality of the PRS guitars. Subsequently, PRS found a manufacturing facility in Korea and taught them how to make PRS guitars.

Guitar Specs
Body – Singlecut mahogany body with maple top & flame maple veneer (except for opaque black)

Neck – 25″ scale length mahogany 22-fret neck with rosewood fretboard and moon inlays, Neck carve – wide fat

Hardware – PRS designed stoptail, PRS designed tuners

Electronics – PRS designed treble and bass humbucking pickups, Volume and tone control with 3-way toggle pickup selector

Playability
Out of the box, this guitar played great. I haven’t had to do any setup changes in the 12 months since I’ve had the guitar. The neck feels great in my hands. It’s a little thinner than my Strat neck, and I generally prefer a slightly thicker neck, but the wide-fat PRS neck is very smooth and fast. I don’t like really low action, and this guitar’s action was set up perfectly straight from the factory. Not too high, and not too low.

The guitar is fairly light and comfortable. It feels a couple of pounds lighter than my Strat. However, I usually play sitting down, so weight isn’t really an issue.

Coming from a Strat-style guitar, it took me a few days to get used to the different position of the guitar when sitting down. The guitar sits slightly to the right of where I’m used to playing. It also took a few days to get used to the slightly shorter scale length (25″ vs. 25.5″ for the Strat). That being said, it really didn’t take long at all to get used to the guitar, and once I did I’ve really enjoyed it; it’s a fantastic playing guitar.

Sound
This guitar sounds great for a mid-range guitar. The pickups have a smooth sound, but can get nasty if you want them to. I find that it’s really easy to get a Cream-era Clapton sound out of the guitar. But, I can also turn up the gain and use the bridge pickup and get a metal sound, if and when I want to. I’ve been playing the guitar primarily through a Fender G-DEC practice amp, and the sound is fairly impressive. A lot of people on the forums recommend changing the stock pickups on the PRS SE guitars. I don’t know if I agree. The stock pickups sound great for the playing I do, although I don’t do any gigging. For most people, I think the stock pickups are fine.

Conclusion
After 12 months of ownership, I still really like my PRS Singlecut SE guitar. I have the tobacco sunburst finish model, which looks fantastic hanging on the wall. Additionally, the guitar plays and sounds great for a mid-range guitar. In fact, ever since getting the guitar last year, I’ve been playing it more than my Strat, although I go through phases where I play one guitar more than the other.

Compared directly to the Epiphone Les Pauls, the PRS Singlecut SE model is a better value, in my opinion. The quality of workmanship is fantastic for a guitar in this price range. I haven’t found anything that I’ve wanted to change or upgrade on the guitar. It’s not an American-made PRS, but it’s the next best thing and it’s less than a third of the price of an American-made PRS guitar.

If you’re looking for a dual-humbucking guitar in a classic style body, I highly recommend checking out the PRS Singlecut SE guitars. It works well for both classic and modern sounds and looks great to boot!