The February 2010 issue of Guitar World magazine is a blues-oriented issue and features John Mayer on the cover. On the bonus disc that comes with the magazine, John Mayer gives a lesson on how he plays his cover of “Crossroads” on his latest album Battle Studies.

The intro to the lesson is hilarious, and the lesson itself covers how he plays the entire song, including what pedal he uses to get the dead-battery fuzz tone on the album:

To kick off the release of his new album Battle Studies, John Mayer played a concert at the Beacon Theatre in NYC and the concert was broadcast by Fuse. Mayer played a number of guitars throughout the show, including of course a collection of Strats and his signature Martin acoustic. He also played a Telecaster, which isn’t too much of a surprise as he’d posted videos of himself playing a Telecaster during the recording of the album. However, what was surprising was him playing an SG at the end of the show on “Friends, Lovers, or Nothing”. He got a great tone out of it through his Two Rock amps.

Below is a video of Mayer playing the song with his SG:

Here is a video of a recent performance John Mayer did of “Crossroads”, the Cream/Robert Johnson cover from his upcoming album Battle Studies. I really like the slower feel Mayer took with the song, and he rips out a nice solo. The slide part by Robbie McIntosh is also nice. Check it out:

John Mayer posted a video on YouTube talking about how he approaches some blues licks based on listening to some earlier blues players. Basically, he gives some advice for breaking out of the pentatonic box. Check it out:

Below is a video of the 2005 recording session for John Mayer’s song “In Repair” off of his Continuum album. In short, Mayer booked studio time and invited eight-string guitarist Charlie Hunter and drummer Steve Jordan in to write. Having no real idea of a song, they wrote “In Repair” in one day just by jamming and working out the parts.

As an aside, that’s one of the things I find so exciting about music. When you’re creating new music, whatever you create didn’t exist in the world seconds before you created it. Sometimes it seems to flow through you; other times, it takes a lot of work, but it’s always rewarding.

Part 1 of the recording session video is below. Watch Part 2 on YouTube.

One of the most interesting things about John Mayer is that he changes things up every now and then. Early in his career, he was categorized as a pop artist, and then he switched things up by touring with Pino Palledino and Steve Jordan as the John Mayer Trio playing mostly blues-oriented music.

On his current tour, he seems to be merging his pop tastes with his blues tastes, as evidenced by this video recorded at his recent Houston tour stop where he shows off a little on guitar (ala SRV) during the song “Mercy.”

(via Gibson Lifestyle)

John Mayer’s latest live 2CD/DVD combo “Where the Light Is” was released this week. This 2CD/DVD is a recording of Mayer’s charity concert he held on December 8, 2007 at L.A.’s Nokia Theatre. One of the more interesting aspects of the concert is that he played three distinct sets. First, he started off with an acoustic set, followed by a Trio set, and culminating in a set with his full touring band.

The acoustic set features Neon, Stop This Train, In Your Atmosphere, Daughters, and a cover of Tom Petty’s Free Fallin’. This set was an intimate set with a small number of musicians, and sometimes just Mayer himself. This is a nice, relaxed set, which serves as a good introduction to the concert.

In between each set, the DVD shows some backstage footage of Mayer getting ready for the next set and discussing the last set. Additionally, there are some cut scenes to Mayer discussing life as a well-known musician and him preparing for the show.

The Trio set is the highlight of the concert for me. I really enjoy the sound that Mayer, Pino Palladino and Steve Jordan put together, and Mayer really lets loose more on the Trio than when playing with his full band. The set list for the Trio is Everyday I Have the Blues, Jimi Hendrix’s Wait Until Tomorrow, Who Did You Think I Was, Come When I Call, Good Love is On the Way, Out of My Mind, Vultures, and Hendrix’s Bold As Love. Mayer really digs into his Strat during these tunes, with Come When I Call being one of the highlights of the whole concert for me, although I greatly enjoyed each of the Trio songs. If you enjoyed Mayer’s work on his John Mayer Trio CD Try!, you’ll definitely enjoy this part of the concert.

The final set of the night was with Mayer’s full touring band. The set list for this part of the show included Waiting On The World To Change, Slow Dancing In a Burning Room, Why Georgia, The Heart of Life, I Don’t Need No Doctor, Gravity, I Don’t Trust Myself (With Loving You), Belief, and I’m Gonna Find Another You. Again, Mayer displays some great guitar chops on these songs. I was pleased to see that he doesn’t hold back too much when there are more players behind him, although he does allow his bandmates to shine, as well. The Heart of Life and I Don’t Need No Doctor were two of my favorite songs from this set.

I purchased the 2CD/DVD combo at Target, which has some exclusive features not found on the mainstream release. The features are 200 Guitars: The Collection, and a photo gallery from the night of the performance. I was reminded when watching the 200 Guitars feature that Mayer’s guitar tech is Rene Martinez. Martinez was Stevie Ray Vaughan’s guitar tech from 1985 until Vaughan’s untimely passing in 1990. Part of the 200 Guitars feature involved Mayer receiving the Fender Custom Shop “Lenny” tribute to Vaughan’s famous red Stratocaster. Martinez offers some comments about the original compared to the tribute as part of the 200 Guitars feature, which you can find on YouTube if you don’t get the Target version.

I’ve never seen Mayer perform live, so I can’t comment on how accurately “Where the Light Is” depicts a John Mayer concert. However, I can say that this is an excellent concert performance and a great way to see each of Mayer’s different styles together in one show. There’s some excellent guitar playing throughout the show, as well as some great music. I really enjoyed the whole show would highly recommend “Where the Light Is.” You can watch a trailer for the concert below:

I recently had the opportunity to play the John Mayer Stratocaster. I didn’t play the guitar for a long period of time, but during the short period of time I did play the guitar, I really liked it. It played and sounded great.

The neck of the John Mayer Strat is a thick “C” shape, which felt great in my hands. And, the African Rosewood fretboard played very smoothly. The action was set a little high on the guitar I played, but that just made it more fun to really dig in and attack the strings. I’ve never been a fan of super-low action anyway. I’m used to playing my Stevie Ray Vaughan Strat, which has Jumbo Frets, so the Dunlop 6105 Narrow Jumbo Frets on the John Mayer Strat felt good under my fingers. As I mentioned above, the guitar sounded great. As you would expect, it had that unique Strat sound that no other guitar is able to replicate.

Some unique features of the John Mayer Stratocaster include Big Dipper pickups with a special “scooped” mid-range voicing per John Mayer’s specs. Additionally, the string tree is placed farther from the nut than a standard Stratocaster.

Although I only played the guitar for a short period of time, I was very impressed with the John Mayer Stratocaster. It felt natural in my hands and played and sounded great. If you’re looking for an American-made Stratocaster, I’d highly recommend checking out the John Mayer Strat. I’ll definitely be considering it the next time I’m in the market for a high-end Strat.